Caterina Tomeo is an art historian and alongside her research activity a critical and curatorial practice. She deals with Contemporary Art with particular interest in interdisciplinarity and research in the field of New Media Art and Sound Art. She is director of MAD in "Multimedia Arts and Design" at RUFA - Rome University of Fine Arts, where she is also Representative of the Academic Council, professor of Contemporary Art and New Media, History of Electronic and Digital Art, Digital Video. You teach Multimedia Arts, Electronic Music and Music Festivals in the Master in "Economics and Management of Art and Culture" at the Sole 24 Ore Business School in Rome. She is a lecturer in the Master in "Management of Art and Cultural Heritage" of Giunti Academy-School of Management. Since 2021 she has been teaching in the Master in “Sonic Arts. Sound Technologies and Arts "of the Tor Vergata University of Rome. She was Art Director of the Arts & New Media section of Spring Attitude Festival. You currently collaborate as curator with international festivals dedicated to electronic music and contemporary culture. You founded the Sound Studies Forum, the first research network on sound studies in Italy, in collaboration with the University of Urbino. You are the Art Director of the “Sound Box” at the Mattatoio in Rome. Among the most recent publications are: Sound Art. Listening is like seeing, Castelvecchi (2017); Sonic Arts. Between perceptive experience and active listening, Castelvecchi (2019). The new volume Electronics is woman. Indeed trans-feminist will be published by Castelvecchi in March 2021.

Colin Herrick started the Time Released Sound music label in 2012. He quickly developed a large following and collector base of like minded adventurous listeners that appreciated the lengths to which he and his label went in the bespoke, hand made physical presentations of the music that he was releasing. Time Released Sound is now based in the island city of Alameda, California. He is in the process of self producing what will be a lavish hardback book on the label and its first decade of packaging and design, to come out later in 2022.

She is a development and production ponsultant, project coordinator and organizer with more than ten years of experience in the audiovisual industry and cultural events. Main areas of expertise: documentaries, live performances, music, cultural events.
E' curatrice e project manager di SHAPE – Associazione che ha ideato e produce ROBOT - Festival internazionale di arte digitale e musica elettronica giunto quest’anno alla sua dodicesima edizione.
Per la società Kiné ha prodotto la serie tv ‘Stili Ribelli’ di Lara Rongoni, trasmessa nel 2020 da Sky Arte.
Nel 2012 ha co-fondato Kinodromo, Associazione di professionisti dell'audiovisivo dell’Emilia-Romagna.
Per 11 anni è stata responsabile nazionale di Doc/it - Associazione Documentaristi Italiani.
Attualmente per la società Bo Film sta seguendo la produzione del corto di animazione ‘L’Angoscia e L’Estasi’ di Niccolò Manzolini e Lucia Malerba.
E’ Direttrice di Produzione di Resilienze, festival ideato e prodotto da Kilowatt.

Cultural operators mainly interested in the effects of the encounter between different artistic languages. In 2001 they founded the Cineclub Canudo, with which they carry out activities to promote film culture and author videos. With the project "A, B, Cinema" they are dedicated to audiovisual teaching also in schools. Since 2002 they have been directing "Avvistamenti (non) è un Festival", which explores the experimental filmography of young authors, alongside that of internationally renowned artists. In 2013 they gave life to a new project with the "Sonimage" project, whose goal is the meeting between directors and videomakers on the one hand and musicians and composers on the other. Since 2015 they have managed the Urban Laboratory of Palazzo Tupputi, a splendid Renaissance palace in the historic center of Bisceglie, taking care of numerous events, including exhibitions, reviews, performances and training activities in the artistic field.

He was an independent DJ and radio host in the studios of historical broadcasters in north-eastern Italy, with "Nocturnal Emission", a broadcast conducted together with Massimo Caner from the beginning of the 1980s to 2010.
Writer and music critic, since 1983 he has been one of the longest-lived names of the monthly music magazine ROCKERILLA.
Freelance writer for various music webzines, he writes about music and not only on the blog DISERZIONI, hosted on SHERWOOD.IT.
He publishes on the literary blog NAZIONE INDIANA, on the European cultural magazine SOUTH with interventions on various literary and musical publications.
He is co-owner and art-director of the independent digital music labels LAVERNA.NET and FALERNA.ORG.
In 2016 he released his first literary collection entitled HAZKARA 'for the publishing house not only 13_Silentes. He appears, with a story written together with Francesco Forlani, in the collection "DEATHS IN VENICE" edited by Laura Liberale for Literary Correspondence.
He participated in the multidisciplinary project ALONE by and with Gianni Maroccolo, participating with his stories about him in the first four published volumes. He participated in the project by Arlo Bigazzi and Chiara Cappelli dedicated to Mayakovskij and participated with a story of him in the forthcoming volume "Fifth Landscape. Concerts of ideas in action".

Karin Fink (born in 1975, Bern, Switzerland) is a Geographer and Relational Designer, currently working as a scientific researcher and environmental policy advisor. As a relational designer she is focusing on community-driven projects. The thematic focus of her work is on sustainability transformations, food, mobility and housing systems, as well as social and technological innovations. Karin Fink contributes to several European expert networks, mainly in the field of environmental reporting and outlook studies. She also engages in various projects aiming at bridging between policy makers, innovators, activists and artists. Karin Fink has a strong interest in transdisciplinary collaboration processes and often, her projects happen at the intersection of art and natural science, the digital and the analog space.