Zeugma was born from the urgency to give value to sound artists (and their collaborators) who continuously work in the field of research music and unconventional sounds, exploring the territories of electroacoustic music, ambient, drone, harsh-noise, post-industrial, modern classical, minimal, and their contaminations.

Zeugma places the dissemination of these other sounds at the center of its action, aiming to effectively and sustainably relaunch a virtuous circuit that, in addition to its own spread, hopes for the birth of new experiences capable of welcoming live proposals that focus on the sounds it intends to disseminate, making the national context as competitive as its many European counterparts.

Zeugma also aims to bring unconventional music, mainly of electroacoustic origin, closer to listeners through a series of targeted dissemination activities such as publications, live performances, installations, meetings, conferences, and workshops, addressing themes like acoustic ecology, climate change, and the cultural and perceptual implications of artificial intelligence.

Zeugma, therefore, proposes to act mainly on two fronts: the performance aspect and the dissemination/educational aspect. In doing so, it intends to avail itself of the collaboration of private and public partners with the intention of creating a virtuous map of actors located throughout the country who have the same cultural promotion objectives at heart. If you agree with these principles, sign our manifesto now.