Besides using her voice and analog electronics, Barbara loves collecting sounds, inventing sound textures and non-linear storytelling. In 2009 she published as a soloist Anti-Gone, a concept album inspired by the figure of Antigone. In the same year she began a collaboration with canadian cellist Julia Kent : Parallel41 a musical/visual/improvisatory project published in 2012 by the french label Baskaru. Her sound works include Whimsical Cartography -in commemoration of the earthquake in Irpinia; Re_di_Sound , a tribute to Marcel Duchamp (Call for Revolutionary Sounds) and Crossings for Radia Network (Radio Papesse).
She has also curated a series of podcasts entitled "The Cat Cinderella" with the aim of promoting the dissemination of works by women artists on the brink between net_art, sound art
and audio documentary. At the end of 2012 she started to collaborate with french visual artist Aude Francois: they conceived Self Made Worlds a performance for voice, electronics, and visual explorations [liberally adapted from ”House of Incest” by Anaïs Nin]: a dialogue between the organic body depicted in video and the sounds and voices present on the stage. Her new solo album Body Maps {out on december 16th 2022 on Folderol Records} has been inspired by Jean Luc Nancy’s Corpus. A blend of spoken word, electroacoustic textures and instruments, found sounds and voice; these tracks evolved from a series of improvised recording sessions held in Italy between 2018 and 2021. Barbara is working on a new project making use if rediscovered private memories [old photographs, letters from strangers, sounds of objects no longer in use, semi-forgotten nursery rhymes, etc] .
The list of her collaborations include: sound and visual artists Leonardo Rosado {together they realize Viseu Aural Chronicles audio-visual residency project commissioned by Festival Jardins Efemeros _Viseu_Portugal} Mark Walters; Roland Quelven; Julia Kent; Marco Messina; Mathias Van Eecloo; Marco Bonini, Elio Martusciello, Airchamber 3; Nicola Conte {Blue Note records} becoming the voice of the song "Love me 'till Sunday "soundtrack of the Ras insurance commercial starring Sean Connery; Luminance Ratio; Enrico Coniglio, Roland Quelven, Erica Scherl, Sarah Bliss. She is currently working on SURINAME {a transmedial project involving visual artist Maria Pia Picozza and musician Cristian Maddalena} and FIGURES OF ABSENCE (freely inspired by the cinematic poetics of Dore O', with Elio Martusciello and Cristian Maddalena).

Vincenzo Madaro, a political science graduate specializing in environmental management. Raised with a passion for cinema, he is one of the founders of Il Serraglio, a nonprofit association organizing Vicoli Corti_Cinema di Periferia, now in its 14th edition, of which he is Artistic Director. He is also involved in school projects such as CinemAscuola, reviews, thematic cineforums and educational workshops for students of all levels.

He was a DJ and independent radio host, in the studios of historic northeastern broadcasters, with "Nocturnal Emission," a program co-hosted with Massimo Caner from the early 1980s until 2010.
A writer and music critic, he has been one of the longest-running signatures of the monthly music magazine ROCKERILLA since 1983.
A freelance writer for various music webzines, he writes about music and more on the blog DISERTIONS, hosted on SHERWOOD.IT.
He publishes on the literary blog NAZIONE INDIANA, in the European cultural magazine SUD with features on various literary and music publications.
He is co-owner and art-director of the independent digital music labels LAVERNA.NET and FALERNA.ORG.
In 2016, his first literary collection titled HAZKARA' was released by the non-disco publishing house 13_Silentes. He appears, with a short story written together with Francesco Forlani, in the collection "DEATHS IN VENICE" edited by Laura Liberale for Carteggi Letterari.
He participated in the multidisciplinary project ALONE by and with Gianni Maroccolo parecipating with his stories in the first four volumes published. He artecipated in Arlo Bigazzi and Chiara Cappelli's project dedicated to Majakovsky and participated with one of his stories in the volume "Quinto Paesaggio. Concerts of Ideas in Action" soon to be published.

Elio Martusciello (Naples, 1959) is a self-taught Italian musician and composer of experimental music and teaches electronic music at the Naples Conservatory.
He studied photography with Mimmo Jodice and visual arts with Carlo Alfano, Armando De Stefano and Rosa Panaro. His musical aesthetic derives essentially from acousmatic art, but in addition to acousmatic music composition he composes for instruments and live electronics, works in the fields of installation art, multimedia, visual arts and electroacoustic improvisation. He currently lives in Naples.

Development and production consultant, project coordinator and organizer with more than ten years' experience in the audiovisual industry and cultural events. Main areas of expertise: documentaries, live performance, music, cultural events.

She is curator and project manager of SHAPE - Association that conceived and produced ROBOT - International festival of digital art and electronic music now in its 12th edition.
For the company Kiné, she produced the TV series 'Rebel Styles' by Lara Rongoni, broadcast in 2020 by Sky Arte.
In 2012 she co-founded Kinodromo, an association of audiovisual professionals in Emilia-Romagna.
For 11 years she was the national head of Doc/it - Association of Italian Documentary Filmmakers.
Currently for the company Bo Film she is overseeing the production of the short animated film 'L'Angoscia e L'Estasi' by Niccolò Manzolini and Lucia Malerba.
She is Production Director of Resilienze, a festival conceived and produced by Kilowatt.

Videomaker, director, editor, cameraman, has been working for years in the film and audiovisual field making commercials, promos, corporate videos, event videos, backstage, video clips, 2d animation videos, interviews, TV shoots realizing projects with the association he chairs. He has also collaborated with Rai, Fandango and Freemantle.

Antonio Musci and Daniela Di Niso, founders in May 2001 of the "Cineclub Canudo." A story of tenacity and passion that has allowed an experimental film festival - characterized by programming certainly not designed to tickle the tastes of the general public but to challenge its preconceptions and shake it out of its general numbness - to cross the twenty-first edition milestone this year, brilliantly renewing its commitment to promote and disseminate film culture in its complex relationship with other contemporary art forms.
In his more than ten years of experience, he has carried out activities and organized events of international importance that can be traced back to different artistic fields: from cinema to photography, theater, music, and contemporary art. The research is always directed to the discovery and enhancement of new expressive forms and artistic languages, taking up the challenge of the complexity inherent in the contemporary world.

Architect, photography enthusiast and compulsive listener. Starting in 2014 I write for the webzine Triste© - Indie Sunset In Rome. The following year I open my personal blog SoWhat, mainly dedicated to research and experimental productions. In 2020 I begin my adventure with "Ondarock", later becoming editor and head of the "altrisuoni" section. The following year I start collaborating with "The New Noise".

Giovanni Sabattini, who graduated in Philosophical Sciences from Bologna in 2023 with a thesis on Don Quixote in Bergson's philosophy, has been involved in research cinema and has been artistic director of the Ribalta Experimental Film Festival since 2020. He collaborates externally with Progetto Bridge studio in Carpi and, as a volunteer, in organizing the program of the Nonantola Film Festival and Kinò Campus