LANDSCAPE2023

Caterina Tomeo is an art historian and alongside her research activity a critical and curatorial practice. She deals with Contemporary Art with particular interest in interdisciplinarity and research in the field of New Media Art and Sound Art. She is director of MAD in "Multimedia Arts and Design" at RUFA - Rome University of Fine Arts, where she is also Representative of the Academic Council, professor of Contemporary Art and New Media, History of Electronic and Digital Art, Digital Video. You teach Multimedia Arts, Electronic Music and Music Festivals in the Master in "Economics and Management of Art and Culture" at the Sole 24 Ore Business School in Rome. She is a lecturer in the Master in "Management of Art and Cultural Heritage" of Giunti Academy-School of Management. Since 2021 she has been teaching in the Master in “Sonic Arts. Sound Technologies and Arts "of the Tor Vergata University of Rome. She was Art Director of the Arts & New Media section of Spring Attitude Festival. You currently collaborate as curator with international festivals dedicated to electronic music and contemporary culture. You founded the Sound Studies Forum, the first research network on sound studies in Italy, in collaboration with the University of Urbino. You are the Art Director of the “Sound Box” at the Mattatoio in Rome. Among the most recent publications are: Sound Art. Listening is like seeing, Castelvecchi (2017); Sonic Arts. Between perceptive experience and active listening, Castelvecchi (2019). The new volume Electronics is woman. Indeed trans-feminist will be published by Castelvecchi in March 2021.

Claudia Attimonelli, PHD in Theories of Language and Sign Science; researcher in Media Studies and Visual Culture, professor of Visual Studies and Digital Culture and of Media, Visual Culture and Sound Studies at the University of Bari Aldo Moro; lecturer in Visual and Multimedia Studies at the Master's Degree in Journalism Order of Journalists at the University of Bari. Delegate to the Gender Equality Plan for ForPsiCom Uniba. Scientific manager of the Uniba Gender Archive.

She is a development and production ponsultant, project coordinator and organizer with more than ten years of experience in the audiovisual industry and cultural events. Main areas of expertise: documentaries, live performances, music, cultural events.
E' curatrice e project manager di SHAPE – Associazione che ha ideato e produce ROBOT - Festival internazionale di arte digitale e musica elettronica giunto quest’anno alla sua dodicesima edizione.
Per la società Kiné ha prodotto la serie tv ‘Stili Ribelli’ di Lara Rongoni, trasmessa nel 2020 da Sky Arte.
Nel 2012 ha co-fondato Kinodromo, Associazione di professionisti dell'audiovisivo dell’Emilia-Romagna.
Per 11 anni è stata responsabile nazionale di Doc/it - Associazione Documentaristi Italiani.
Attualmente per la società Bo Film sta seguendo la produzione del corto di animazione ‘L’Angoscia e L’Estasi’ di Niccolò Manzolini e Lucia Malerba.
E’ Direttrice di Produzione di Resilienze, festival ideato e prodotto da Kilowatt.

He grew up with a passion for cinema, he is one of the founders of "Il Serraglio", a non-profit association that organizes "Vicoli Corti Cinema di Periferia", now in its 14th edition, of which he is Artistic Director. He also deals with school projects such as CinemAscuola, reviews, thematic cineforums and educational workshops for students of all levels.

Paolo F. Bragaglia began his activity as a musician in the 80s as a guitarist participating in the prolific Italian and Marche new wave scene with the Dagon groups, Tzar's Re-Vox, 3B Unit. It was in this period that he began his interest in instruments such as synthesizers and drum machines, later devoting himself more and more to electronic instruments of an analog and digital nature. Since 2006 he has been in charge of the artistic direction of the Acusmatiq electronic music festival held at the Mole Vanvitelliana in Ancona and which saw the participation of artists such as Thomas Brinkmann, Chris Cutler, ZAPRUDER filmmakersgroup, Gianpaolo Antongirolami, Fennesz, Luca Miti, Francesco Fuzz Brasini, Otolab, Roberto Paci Dalò, Robert Lippok, Howie B, Mouse on Mars, Biosphere, Chris & Cosey, rib of Throbbing Gristle and the realization of the Temporary Museum of the Marchigiano Synth within the festival.

Alfonso Amendola is Researcher in Sociology of cultural and communicative processes at the University of Salerno where he teaches Sociology of experimental audiovisuals; Sociology of the electronic arts; Sociology of the multimedia show; Theories and techniques of digital media.

Videomaker, director, editor, operator, has been working for years in the film and audiovisual field making commercials, promos, corporate videos, event videos, backstage, video clips, videos in 2d animation, interviews, services for TV realizing projects with the association he chairs. He has also collaborated with Rai, Fandango and Freemantle.

Multidisciplinary Artist, Researcher, Designer, Composer, Curator and Cultural Manager, of Portuguese nationality (PhD) in Digital Media-Art. University Professor of Multimedia and Arts in Applied Informatics and Digital Video Technologies UPT - Porto, Portugal; Collaborating Researcher at CIAC - Arts and Communication Research Centre (UAb - Lisbon / UAlg - Faro, Portugal); Visiting Researcher at M-ITI - Madeira Interactive Technologies Institute (UMA - Funchal, Portugal).
Curator in 34 artistic projects since 1996, with highlights: META-MORFO Portugal's Experimental Exhibition of Audio-visual Technology, in Brazil 2023; Video Art Exhibition on the Border, Portugal Section - FERIA TRANSFRONTERIZA DE ARTE CONTEMPORÁNEO (Spain - Portugal) 2023-2024-2025; TRANSGRESSION art + technology of the 5th International Edition of THE WRONG BIENNALE 2021-2022 - Spain; TRANSGRESSION art + technology PRO2, 2023-2024 - Portugal; IMAGE PLAY International Video Art Festival 2019-2020-2021-2022-2023 - Portugal; EXPERIMENTA - International Video Art Exhibition, 2019-2020-2022 - Portugal; Curator and Member of the International Scientific Committee of the Video Art Festival OVER THE REAL, 2021- Italy, among many others.
Artistic Director of New Media/Digital Media Arts of APCA 2023-24; President of the + Art Contemporary AC. He has received 260 recognitions and 8 awards.

Daniele Falchi is a young artist, critic and curator who focuses his research in the field of cinema and media art. He completed his studies in RUFA - Rome University of Fine Arts, where he continued to teach as a cultore of the subject. He teaches "Elements of Video Production" and "Digital Video" at the DAM Academy in Rome. Since 2019 he has collaborated with Dancity Festival organizing talks, exhibitions and meetings on contemporary culture. In 2020, he participated in the Romaeuropa Festival with the installation "THE POST-FUTURIST CAVE," as part of the Digitalive review. His latest publication, "Techno-menads. From the Classical World to the Contemporary West," is contained within "Electronics is Women. Media, Bodies, Transfeminist and Queer Practices," published by Castelvecchi Editore in 2022.